Everything in Between

Installation Design Proposal for Line Armenian Architecture Biennial, 2025

Team: Alankriti Gopinatha, Jakiat Jitu, Serra Utkum Ikiz

“Everything in Between" installation takes inspiration from the interplay of light and wind, symbolizing liminality, a state of being on the threshold between two conditions. This idea of transition is expressed through a journey from the solidity of wood to the transparency of plastic and the softness of fabric, symbolizing the progression through different phases of existence. 

Shaped as an octagon, the installation brings this concept to life with standing panels made from recycled plastic, representing stability and permanence, and moving panels crafted from fabric, embodying fluidity and change. This interplay between the static and the dynamic mirrors the delicate balance of stability and transformation in our own lives. Visitors are invited to interact with the structure, which responds to the changing light and winds throughout the day, offering an experience that shows the temporary and ever-changing nature of transitions. 

In this space of in-betweenness, the installation encourages us to pause and feel, inviting us to notice the gentle touch of the wind, the shifting light, and the quiet movements around us. It offers a moment of reflection, guiding us to step away from the fast-paced world driven by consumption and speed. It points to a question: What does it mean to truly experience and appreciate moments of transition instead of rushing through them? 

Our fast-paced lives not only make physical waste but also pollute the air and soundscapes we inhabit. Rising urban noise levels affect over 100 million people in Europe alone, contributing to stress and health issues. Similarly, air quality continues to decline, with nearly all of us (99% of the global population) breathing air that exceeds WHO standards. This relentless drive for speed (faster transportation, rapid production, and instant consumption) leaves behind an imprint of environmental and sensory disruption. 

By standing still within the installation, visitors are invited to reconnect with the natural elements often overshadowed by the rush of daily life. The quiet interplay of wind and light within the structure offers a moment of calm and meditation, reminding us of the importance of slowing down, listening, and simply breathing. Through this stillness, the installation questions us to rethink our relationship with the world and invites us to welcome the beauty of being “in between.” 

The afterlife of the structure: 

The structure is designed with sustainability in mind, using recycled materials to make a purpose even after the biennale ends. Once the event is over, the installation can be carefully dismantled and reused for new projects, ensuring the materials find a second life. For example, standing panels made from recycled plastic could be used for other public art installations, outdoor shelters, or decorative features. The fabric panels, with their flexibility, could be repurposed for artistic backdrops or even everyday practical uses. 

Another option is to relocate the entire structure to a new area where it can continue its journey as an installation, bringing its message of transition and sustainability to a wider audience. When planning for this, it’s important to consider using modular connections during assembly, making the structure easier to disassemble, transport, and reassemble.